The wall
Sixty by twenty feet, on a 2.5 degree arc.
It holds a master in one piece, and the curve reads as depth. The camera crosses the full width and the environment stays put behind it.
Chennai · Signature Stage
A sixty-foot LED volume, curved to the camera.
A 1,200 sq ft volume with a ceiling panel, six movable sides and lens-driven tracking.
The room
The volume, part by part.
Ceiling and side panels
Top light, and reflections from any side.
The ceiling carries the sky and the top light. Six side panels move to wherever a reflection needs to come from.
Lighting
25 ARRI SkyPanel S60‑C
A hard source the wall cannot give you, run from the same desk. Charged separately from stage time.
Camera tracking
Perspective holds as the camera moves.
Chennai · Signature Stage · Elevation · GX-STG-01
Measured · not to scale
Environments are built for the script, adapted from your reference, or played back as plates. The three routes onto the wall →
How a shoot runs
Five steps, and you see the frame at each one.
The expensive decisions are all made before the unit arrives.
01
Recce and camera test
Bring your DP and your lens set, and decide from footage.
Before you book
02
Environment build
You approve it on the wall at full size, not as a render.
Four to six weeks out
03
Tech and pre-light
A day with your gaffer balances the wall and locks the look.
The day before
04
Shoot day
Our crew runs the wall alongside your unit. Environments change in minutes.
On the day
05
Wrap and handover
You leave with camera original, tracking data and the environment as delivered. The manifest →
At wrap
We provide
What comes with the stage
- Wall, ceiling and side panels, powered and calibrated
- Stage crew for the wall, tracking and colour
- A technical director on the floor
- Real-time artists to build or adapt environments
- Control desk, playback and monitoring
- A camera test day on your own lenses
You bring
What we need from you
- Camera package, lenses and camera team
- Grip, any fixtures beyond our SkyPanels, and set build
- A shot list or previs, two weeks out
- Reference for each environment, and who approves it
- Art department to dress the foreground
- Cast, costume and everything that touches them
Charged separately
- Twenty-five ARRI SkyPanel S60-CRigged and on the desk, and charged separately from stage time
Specification
Every number, measured on the floor.
Geometry
LED wall60 × 20 ftCurved on a 2.5° arc, centre to edge
Ceiling panel18 × 15 ft
Side panels6 × (3 × 6.5 ft)Movable
Volume footprint1,200 sq ft
The image
Resolution9216 × 3072
Peak brightness1000 nits
Greyscale16 bit
Maximum refresh rate7680 Hz
Maximum frame rate60 fpsTalk to us before planning high speed
Systems on the floor
Camera trackingStype RedSpy
Stage lightingARRI SkyPanel S60-C × 25Keys, fill and shaping · charged separately
Control deskOn floorOn the floor with the crew
Day rates on request. Tell us the shoot — format, days and how much of the wall you need — and we will come back with a number within the next working day.
The facility
The rooms around the stage.
Load-in, crew rooms, control room, and where the client sits.
Questions we get
Before you book the stage.
How far in advance should we book?
Four to six weeks from approved reference for a built environment. A plate playback day can turn around in a week.
How does the wall handle hard sunlight?
The key comes off our SkyPanels and the wall carries everything behind it. We set that balance at the pre-light, before your unit arrives.
Will our lenses moiré against the panel?
It depends on the lens and the panel pitch, so we test rather than predict. Bring your lens set to the recce.
What does a day cost?
It depends on how much we build rather than adapt, and how long you hold the wall. Send a shot list for a range.
Tell us what you are shooting.
Check a date, or come and stand in front of the wall first.