01 · Camera tracking
Stype RedSpy reports the lens position.
The wall redraws to match, so perspective holds through a travelling move.
Our software
The pipeline that drives the wall.
We build the software that runs our volumes rather than licensing it, and we use it ourselves on the floor every shooting day.
Inside it
Four parts, built in-house.
Because we wrote each of them, we can change them while a shoot is running.
02 · Colour management
A predictable path from scene file to sensor.
Specified in Rec.709 and P3, agreed before the camera rolls, and held to delivery.
03 · Scene delivery
Switched in minutes, not hours.
Versioned, and shipped to your VFX vendor as shot.
04 · Environments
Built for the moves you need.
And lit to answer a change in your key.
On the day
Why we build it ourselves.
If something needs changing at eleven at night, the engineer who wrote it is on the floor. We tune the pipeline around your camera package on the test day, not on a vendor’s release schedule. And because the four parts were built against each other, there is no integration layer to drift, or to blame.
Environments
Three ways to get a world onto the wall.
Which one suits you depends on how much the camera has to move.
If the camera moves
Built for the script.
Built with your production designer. Full camera movement, lit to match your key.
If you have reference
Adapted from your reference.
Arrive with a scout, a matte or a stills library.
If it plays behind you
Plate playback.
Driving plates, skies or crowds, played back in sync.
Handover
What you take away at wrap.
Everything the pipeline knows goes with you.
- Camera originalAs shot, with full metadata
- Camera tracking dataPer take, ready for your VFX vendor
- The environment as deliveredThe exact scene that ran on the wall
- The on-set colour pipelineSo the look does not have to be rebuilt
- Same-day proxiesOn your drive before you leave the floor
The full pipeline specification.
Colour path, tracking tolerances, supported frame rates and the handover manifest, in one document for your DP and your VFX vendor.