01 · Micro-drama
Many short scenes a day, across many environments.
This is what the wall suits best. Switching location is a playback change, not a set change.
The Signature Stage is booked in weeks. Creators work in days. The Atelier is the same technology in a twelve by ten foot room.
Twelve by ten holds a presenter, a desk, a two-hander or a product table. There is nothing to load in — you arrive with a camera and start shooting.
You shoot 9:16, 1:1 and 16:9 from one setup, so a week of posts takes an afternoon.
The set is never struck or repainted, so episode forty matches episode one.
Half and full day slots put a volume inside a weekly budget.
01 · Micro-drama
This is what the wall suits best. Switching location is a playback change, not a set change.
02 · Weekly formats
On a schedule that has no location day in it.
03 · Brand
Ongoing social and product content.
04 · Interview
No build, no repaint.
Tell us which environments you need about a week out and we will have them loaded before you arrive.
A week outThe operator runs the wall while you direct. You move location between setups without moving the camera.
On the dayCamera original and a same-day proxy go onto your drive before you leave the building.
At wrapYes, and most people do. A phone is fine for social formats and a cinema camera will get more out of the wall. Either way the operator matches the wall to your shutter angle and frame rate.
As many as your shot list calls for, provided they are already built. Changing environment is a playback change rather than a set change.
Comfortably. With three or more the room starts to limit your blocking, and at that point the Signature Stage is usually worth the difference in cost.
Not as standard. You leave with camera original and a proxy. If you need post, tell us what you have in mind and we will quote it separately.
Tell us what you would shoot on it and we will come back to you with dates.